A writing app for trapping lions
Hitchcock's MacGuffin was a joke about a package on a train. I have been building one, and it is turning into a serious tool for writing fiction.
Hitchcock's MacGuffin was a joke about a package on a train. I have been building one, and it is turning into a serious tool for writing fiction.
Four days at the CLARIAH summer school in Amsterdam: SPARQL, RDF triples, and turning a Chilean documentary archive into linked open data.
Two pieces this spring made me think about the bigger picture: on AI, ownership, and the bargain that built every right we hold.
An MCP server for finding the right generative AI model, built on the recognition that the choice is never just technical.
On creative practice with AI: why play, not productivity, is how we stay curious and keep the craft alive.
On Derrick Schultz's visit to AI Greenhouse, the slippery label of 'AI artist', and what it means to work with AI before and after the hype.
On AI-generated electoral fraud in Argentina, and why what happens at the margins of democracy should concern us all.
Our physical selves need proliferous and bloated data to grasp subtle ideas. We need the world's richness and messiness to break down its components into digestible nutrients.
Making archival-practice Talk Using Large Language Models
How Large Language Models are changing the way we navigate audiovisual heritage — and what we lose in the translation.
On Yuval Noah Harari's new book and the naive assumption that more information leads to better decisions.
On the life and death of Jan Bot, Eye Filmmuseum's first AI filmmaker who generated more than 25K experimental films to bring the past.
Hitchcock's MacGuffin was a joke about a package on a train. I have been building one, and it is turning into a serious tool for writing fiction.
Four days at the CLARIAH summer school in Amsterdam: SPARQL, RDF triples, and turning a Chilean documentary archive into linked open data.
Two pieces this spring made me think about the bigger picture: on AI, ownership, and the bargain that built every right we hold.
An MCP server for finding the right generative AI model, built on the recognition that the choice is never just technical.
On creative practice with AI: why play, not productivity, is how we stay curious and keep the craft alive.
On Derrick Schultz's visit to AI Greenhouse, the slippery label of 'AI artist', and what it means to work with AI before and after the hype.
On AI-generated electoral fraud in Argentina, and why what happens at the margins of democracy should concern us all.
Our physical selves need proliferous and bloated data to grasp subtle ideas. We need the world's richness and messiness to break down its components into digestible nutrients.
Making archival-practice Talk Using Large Language Models
How Large Language Models are changing the way we navigate audiovisual heritage — and what we lose in the translation.
On Yuval Noah Harari's new book and the naive assumption that more information leads to better decisions.
On the life and death of Jan Bot, Eye Filmmuseum's first AI filmmaker who generated more than 25K experimental films to bring the past.
No dispatches found.